CV


Education  

2017 Master of Fine Art

University of Houston, Houston, TX

2009 Bachelor’s Degree, K-12 Art Education/Studio Art

Fort Lewis College, Durango, CO


Residencies 

2020 Resident Artist, RedLine Contemporary Art Center, Denver, CO

2016 School of Visual Arts, New York, NY

2016 Desert Unit for Speculative Territories, Marfa, TX


Select  Solo Exhibitions

2023 IN/TRACTION, Hartnett Gallery, Rochester, NY

2022 form/re/form, RedLine Contemporary Art Center,  Denver, CO

2020 Entirely Devoid, S*Park RedLine Satellite Gallery, Denver, CO

2020 Repeat That Again, Hyperkulturemia Gallery, Denver, CO

2020 Hat On A Hat, Fort Lewis College Art and Design Gallery, Durango, CO

2019 Do, Do, Do, Do, Do, University of Wyoming Art Museum, Larmaie, WY

2019 Super Tuning, San Jacinto College Gallery, Houston, TX

2017 Traverse: Span/Void, Public Art Commission, Houston, TX

2017 Moving Right Along, 2132 Bissonnet, Houston, TX

Select  Group  Exhibitions

2023 Breakthroughs, Museum of Contemporary Art, Denver, CO

2022 Chromatic Cogitations, Rhythm Reboot, RedLine Contemporary Art Center,  Denver, CO

2021 Word Play, Arvada Center For The Arts and Humanities, Arvada CO

2021 U OK?, Galleries of Contemporary Art, Colorado Springs, CO

2020 One By One, RULE Gallery, Denver, CO

2020 Near In The Distance, RedLine Contemporary Art Center, Denver, CO

2019 Place In Line, RedLine Contemporary Art Center, Denver, CO

2019 WorkFlow 002, Performance, Black Cube Nomadic Museum, Denver, CO

2019 The Form Will Find Its Way: Contemporary Ceramic Sculptural Abstraction, Minneapolis, MN

2019 Now That I Have Your (un)Divided Attention, RedLine Contemporary Art Center, Denver, CO

2018 The Ends Of Our Index Fingers Are Mute, Rice University, Houston, TX

2018 Collective Transference, Reavley Gallery, Nacogdoches, TX 

2017 Snare, Rudolph Blume/ArtScan, Houston, TX

2017 By Any Means Necessary, RedLine Gallery, Denver, CO

2017 The Dangerous Professors, Triumph Gallery, Chicago, IL

2017    Marfa Sightings, Galerie des Beaux-Artes de Nantes, Nantes, France

Professional

Current Adjunct Professor, Rocky Mountain College of Art+Design, Denver, CO

Current Project Manager, Public Art Services, Denver, CO

2017-2019 Project Manager, Art Management & Planning Associates, Inc., Denver, CO

2014-2017 Director/Curator, SITE Gallery Houston, Houston, TX

Select Articles and Reviews

Ray Rinaldi, “In an unfinished RiNo storefront, must-see art that’s raw, fresh, absurd and oh-so 2020” Denver Post, November 17, 2020

Judith Reynolds, “Art At The Intersection” Durango Herald, January, 31, 2020

Michael Paglia, “Artists Look At Gentrification And More At RedLine’s Near In The Distance” Westword, February 12, 2020

Michael Paglia, “RedLine Resident Artists’ Show Divides and Conquers” Westword, February 12, 2019

Molly Glentzer, “Sculptors Transform Imposing Silos into Intriguing Art Installations” Houston Chronicle, November 3, 2017

Rainey Knudson and Christina Rees, “A Conversation About Art and The Silos on Sawyer” Glasstire, October 30, 2017

Morgan Kinney, “For a limited time: Fill Up on Art at The Corner of Bissonnet and Shepherd” Houstonia Magazine, October 2, 2017

Molly Glentzer, “Ringers at Lawndale’s Big Show, Can You Spot Them?” Houston Chronicle, July 21, 2017

Karen Moschvitch, “Art Outside the Object” School of Visual Arts, March 30, 2017

Bill Arning, “Up Close 2016: Around Houston” Art in America, December 27, 2016

Rainey Knudson and Christina Rees, “Top five” Glasstire, September 22, 2016

Iva Kinnaird, “An Idiot Machine at Lawndale” Glasstire, October 18, 2016

Molly Glentzer, “Silos Make Fun Site for Art Installation” Houston Chronicle, January 20, 2016

Lenna Mendoza, “Interdisciplinary Gallery Opens in Arts District” Rice Thresher, November 10, 2015

Susie Tommaney, “Repurposed Rice Silos Play Host to Mysterious, Surreal World” Houston Press, November 9, 2015

Elissa Rivas, “Old Rice Silos Transformed into Contemporary Art Space” ABC News, November 5, 2015

Molly Glentzer, “SITE Houston Turns Silos into Art” Houston Chronicle, November 5, 2015